NAB Presents: Breaking Brad - Experiment 14: The Hottie and the Nottie
Love is in the air… which means it’s time for a group of so-called friends to emotionally waterboard their buddy with terrible cinema.
This week’s experiment: the glitter-soaked fever dream starring Paris Hilton — The Hottie and the Nottie. A romantic comedy that bravely asks, “Can true love conquer all?” …and then immediately tests that theory against a script that absolutely cannot.
We would break down the plot, but that would imply there’s structure. Instead, imagine a loose collection of baffling decisions, early-2000s fashion choices, and jokes that feel like they were rescued from a rejected middle school notebook — all stitched together with lip gloss and desperation.
It’s a movie that doesn’t just challenge beauty standards and rom-com tropes… it challenges friendships. And on this episode, we find out whether love is patient, love is kind — and whether Brad can survive 90 minutes of this without filing a formal complaint.
Happy Valentine’s Day. Bring chocolate. And emotional support.
Be sure to subscribe to the Gentlemen’s Guide to Midnite Cinema to hear more of Sammy. Also, check out Jose’s podcast - Watch/Skip+ • A podcast on Anchor. Both are highly recommended.
If you want to leave feedback or suggest a movie bomb, please drop us a line at NotABombPod@gmail.com or Contact Us - here. Also, if you like what you hear, leave a review on Apple Podcast.
Love is in the air… which means it’s time for a group of so-called friends to emotionally waterboard their buddy with terrible cinema.
This week’s experiment: the glitter-soaked fever dream starring Paris Hilton — The Hottie and the Nottie. A romantic comedy that bravely asks, “Can true love conquer all?” …and then immediately tests that theory against a script that absolutely cannot.
We would break down the plot, but that would imply there’s structure. Instead, imagine a loose collection of baffling decisions, early-2000s fashion choices, and jokes that feel like they were rescued from a rejected middle school notebook — all stitched together with lip gloss and desperation.
It’s a movie that doesn’t just challenge beauty standards and rom-com tropes… it challenges friendships. And on this episode, we find out whether love is patient, love is kind — and whether Brad can survive 90 minutes of this without filing a formal complaint.
Happy Valentine’s Day. Bring chocolate. And emotional support.
Be sure to subscribe to the Gentlemen’s Guide to Midnite Cinema to hear more of Sammy. Also, check out Jose’s podcast - Watch/Skip+ • A podcast on Anchor. Both are highly recommended.
If you want to leave feedback or suggest a movie bomb, please drop us a line at NotABombPod@gmail.com or Contact Us - here. Also, if you like what you hear, leave a review on Apple Podcast.
Episode 295 - Clockers
Welcome back to Not A Bomb!—the podcast where we resurrect cinema’s most infamous box office disasters and ask the burning question: was it really that bad? We’re celebrating five years of cinematic redemption.
For the month of February, Not A Bomb is shining a spotlight on some of the greatest Black directors in cinematic history. This week, Troy and Brad take on their very first Spike Lee joint with his 1995 crime drama Clockers — a film that blends gritty realism, moral complexity, and Lee’s unmistakable visual style.
Set in a Brooklyn housing project, Clockers allows Spike Lee to use his sharp eye for cultural tension, systemic injustice, and the lived realities of urban America, the film becomes more than a crime story — it’s a layered portrait of community, policing, and the cycles that trap people in impossible choices.
Is Clockers one of Spike Lee’s most underrated films? And how does it fit into the larger conversation about ’90s crime cinema and Black storytelling on screen? Troy and Brad dig into all of it.
Clockers is directed by Spike Lee and stars Harvey Keitel, John Turturro, Delroy Lindo, Mikhi Phifer, Isaiah Washington, and Ketih David.
Want to help support the show? Head over to the Not A Bomb Tee Public store and check our merchandise. Special thanks to Ted Blair for the amazing designs!
We're committed to hearing your feedback and suggestions. If there's a cinematic flop you'd like us to delve into, please reach out to us at NotABombPod@gmail.com or through our contact page. Your reviews and feedback are what drive us. If you enjoy our content, consider leaving a review on Apple Podcast or Spotify.
Welcome back to Not A Bomb! —the podcast where we resurrect cinema’s most infamous box office disasters and ask the burning question: was it really that bad? We’re celebrating five years of cinematic redemption.
For the month of February, Not A Bomb is shining a spotlight on some of the greatest Black directors in cinematic history. This week, Troy and Brad take on their very first Spike Lee joint with his 1995 crime drama Clockers — a film that blends gritty realism, moral complexity, and Lee’s unmistakable visual style.
Set in a Brooklyn housing project, Clockers allows Spike Lee to use his sharp eye for cultural tension, systemic injustice, and the lived realities of urban America, the film becomes more than a crime story — it’s a layered portrait of community, policing, and the cycles that trap people in impossible choices.
Is Clockers one of Spike Lee’s most underrated films? And how does it fit into the larger conversation about ’90s crime cinema and Black storytelling on screen? Troy and Brad dig into all of it.
Clockers is directed by Spike Lee and stars Harvey Keitel, John Turturro, Delroy Lindo, Mikhi Phifer, Isaiah Washington, and Ketih David.
Want to help support the show? Head over to the Not A Bomb Tee Public store and check our merchandise. Special thanks to Ted Blair for the amazing designs!
We're committed to hearing your feedback and suggestions. If there's a cinematic flop you'd like us to delve into, please reach out to us at NotABombPod@gmail.com or through our contact page. Your reviews and feedback are what drive us. If you enjoy our content, consider leaving a review on Apple Podcast or Spotify.
Episode 294 - Devil in the Blue Dress
Welcome back to Not A Bomb! —the podcast where we resurrect cinema’s most infamous box office disasters and ask the burning question: was it really that bad? We’re celebrating five years of cinematic redemption.
For the month of February, Not A Bomb is shining a spotlight on some of the greatest Black directors in cinematic history. And look — Brad and Troy fully acknowledge that two white guys aren’t exactly the cultural authorities here. But they are passionate about movies, and they wanted to take time to celebrate a handful of incredible filmmakers and the films that deserve more love.
This week, the guys dive into one of the most underrated neo‑noirs of the ’90s: Devil in a Blue Dress (1995). Directed by the criminally overlooked Carl Franklin, the film follows Denzel Washington as Easy Rawlins, a WWII veteran navigating postwar Los Angeles who gets pulled into a mystery involving a missing femme fatale, political secrets, and the kind of corruption noir fans live for.
With a powerhouse cast, razor‑sharp direction, and a richly atmospheric take on the genre, Devil in a Blue Dress raises a big question: is this one of the greatest noir films ever made? Brad and Troy dig into the performances, the themes, the legacy, and why Carl Franklin deserves far more recognition than he gets.
Hard-boiled and sharp-edged, this soul-scarred noir doesn’t ask for the spotlight — it takes it. Press play and step into the night.
Devil in a Blue Dress is directed by Carl Franklin and stars Denzel Washington, Tom Sizemore, Jennifer Beals, Don Cheadle, and Maury Chaykin
Want to help support the show? Head over to the Not A Bomb Tee Public store and check our merchandise. Special thanks to Ted Blair for the amazing designs!
We're committed to hearing your feedback and suggestions. If there's a cinematic flop you'd like us to delve into, please reach out to us at NotABombPod@gmail.com or through our contact page. Your reviews and feedback are what drive us. If you enjoy our content, consider leaving a review on Apple Podcast or Spotify.
Welcome back to Not A Bomb! —the podcast where we resurrect cinema’s most infamous box office disasters and ask the burning question: was it really that bad? We’re celebrating five years of cinematic redemption.
For the month of February, Not A Bomb is shining a spotlight on some of the greatest Black directors in cinematic history. And look — Brad and Troy fully acknowledge that two white guys aren’t exactly the cultural authorities here. But they are passionate about movies, and they wanted to take time to celebrate a handful of incredible filmmakers and the films that deserve more love.
This week, the guys dive into one of the most underrated neo‑noirs of the ’90s: Devil in a Blue Dress (1995). Directed by the criminally overlooked Carl Franklin, the film follows Denzel Washington as Easy Rawlins, a WWII veteran navigating postwar Los Angeles who gets pulled into a mystery involving a missing femme fatale, political secrets, and the kind of corruption noir fans live for.
With a powerhouse cast, razor‑sharp direction, and a richly atmospheric take on the genre, Devil in a Blue Dress raises a big question: is this one of the greatest noir films ever made? Brad and Troy dig into the performances, the themes, the legacy, and why Carl Franklin deserves far more recognition than he gets.
Hard-boiled and sharp-edged, this soul-scarred noir doesn’t ask for the spotlight — it takes it. Press play and step into the night.
Devil in a Blue Dress is directed by Carl Franklin and stars Denzel Washington, Tom Sizemore, Jennifer Beals, Don Cheadle, and Maury Chaykin
Want to help support the show? Head over to the Not A Bomb Tee Public store and check our merchandise. Special thanks to Ted Blair for the amazing designs!
We're committed to hearing your feedback and suggestions. If there's a cinematic flop you'd like us to delve into, please reach out to us at NotABombPod@gmail.com or through our contact page. Your reviews and feedback are what drive us. If you enjoy our content, consider leaving a review on Apple Podcast or Spotify.