Episode 318 - Prince of the City
Welcome back to Not A Bomb, the podcast where we resurrect cinema’s most infamous box office disasters and ask the burning question: is it a bomb? This week, Troy and Brad descend into the gritty, morally tangled world of Sidney Lumet’s 1981 neo‑noir crime epic Prince of the City. It’s one of those underseen gems that cinephiles whisper about, critics champion, and everyone else somehow missed entirely.
Prince of the City follows a narcotics detective pulled into a sprawling corruption investigation, and the deeper he goes, the more the film tightens its grip. At the center of it all is Treat Williams, delivering a performance so raw, so committed, and so quietly devastating that it’s honestly a “treat” to watch him work. This is the kind of role actors dream about, and Williams attacks it with a mix of vulnerability and intensity that feels almost dangerous. If you ever needed proof he was one of the most underrated actors of his era, this is the movie.
Troy and Brad dig into Lumet’s meticulous direction, the film’s sprawling cast of morally compromised characters, and the real‑life case that inspired the story. They also explore how Prince of the City became overshadowed by Lumet’s more famous crime dramas, why it deserves to be mentioned alongside Serpico and Dog Day Afternoon, and how its reputation has quietly grown among fans of hard‑boiled, character‑driven noir.
And because the guys can’t resist calling out cinematic injustices, they make it very clear that Criterion needs to get on making a 4K edition of this film. Prince of the City deserves the restoration, the essays, the spine number, the whole treatment. It’s long overdue.
Grab your badge, question your morals, and settle in. This is one crime saga worth revisiting.
Want to help support the show? Head over to the Not A Bomb Tee Public store and check our merchandise. Special thanks to Ted Blair for the amazing designs!
We're committed to hearing your feedback and suggestions. If there's a cinematic flop you'd like us to delve into, please reach out to us at NotABombPod@gmail.com or through our contact page. Your reviews and feedback are what drive us. If you enjoy our content, consider leaving a review on Apple Podcast or Spotify.
Welcome back to Not A Bomb, the podcast where we resurrect cinema’s most infamous box office disasters and ask the burning question: is it a bomb? This week, Troy and Brad descend into the gritty, morally tangled world of Sidney Lumet’s 1981 neo‑noir crime epic Prince of the City. It’s one of those underseen gems that cinephiles whisper about, critics champion, and everyone else somehow missed entirely.
Prince of the City follows a narcotics detective pulled into a sprawling corruption investigation, and the deeper he goes, the more the film tightens its grip. At the center of it all is Treat Williams, delivering a performance so raw, so committed, and so quietly devastating that it’s honestly a “treat” to watch him work. This is the kind of role actors dream about, and Williams attacks it with a mix of vulnerability and intensity that feels almost dangerous. If you ever needed proof he was one of the most underrated actors of his era, this is the movie.
Troy and Brad dig into Lumet’s meticulous direction, the film’s sprawling cast of morally compromised characters, and the real‑life case that inspired the story. They also explore how Prince of the City became overshadowed by Lumet’s more famous crime dramas, why it deserves to be mentioned alongside Serpico and Dog Day Afternoon, and how its reputation has quietly grown among fans of hard‑boiled, character‑driven noir.
And because the guys can’t resist calling out cinematic injustices, they make it very clear that Criterion needs to get on making a 4K edition of this film. Prince of the City deserves the restoration, the essays, the spine number, the whole treatment. It’s long overdue.
Grab your badge, question your morals, and settle in. This is one crime saga worth revisiting.
Want to help support the show? Head over to the Not A Bomb Tee Public store and check our merchandise. Special thanks to Ted Blair for the amazing designs!
We're committed to hearing your feedback and suggestions. If there's a cinematic flop you'd like us to delve into, please reach out to us at NotABombPod@gmail.com or through our contact page. Your reviews and feedback are what drive us. If you enjoy our content, consider leaving a review on Apple Podcast or Spotify.
Episode 299 - King of New vs. Gangs of New York (Movie Matchup Edition)
For the entire month of March, the guys at Not A Bomb are throwing it back to their old Movie Matchup format, pitting notorious box office bombs against each other in a battle for redemption. Two flops enter… only one survives. There can only be one!
This week, Troy and Brad aren’t just stepping into the ring, they’re calling the fight of the century. It’s a bruising, bare‑knuckle, cinematic heavyweight showdown between two crime‑soaked epics: King of New York and Gangs of New York. Decades apart, stylistically worlds away, but both swinging for the fences with operatic violence, towering performances, and enough swagger to level a city block.
King of New York (1990)
Directed by Abel Ferrara and starring Christopher Walken, Laurence Fishburne, Wesley Snipes, David Caruso, Victor Argo, and Giancarlo Esposito, this neon‑drenched gangster fever dream follows drug lord Frank White as he storms back into New York’s underworld after a stint in prison. It’s stylish, chaotic, and packed with performances so intense they practically melt through the screen.
Gangs of New York (2002)
Directed by Martin Scorsese and starring Leonardo DiCaprio, Daniel Day‑Lewis, Cameron Diaz, Brendan Gleeson, Jim Broadbent, and John C. Reilly, this sprawling historical epic throws you into the blood‑soaked streets of 1860s Manhattan. Rival factions. Political corruption. Revenge quests. And at the center of it all, Daniel Day‑Lewis delivering one of the most terrifying, magnetic performances of his career as Bill the Butcher.
The Matchup
This isn’t just a comparison; it’s a clash of titans. Frank White vs. Bill the Butcher. Modern crime mythmaking vs. historical gangland opera. Ferrara’s gritty, punk‑rock filmmaking vs. Scorsese’s grand, blood‑stained spectacle. Troy and Brad break down which film lands the cleanest hits, which one stumbles, and which earns the coveted weekly crown. Expect fireworks, body blows, and enough cinematic carnage to fill Madison Square Garden.
We Want to Hear From You
Got a cinematic flop you want us to tackle? Drop us a line at NotABombPod@gmail.com or reach out through our contact page. Reviews on Apple Podcasts or Spotify help us grow and keep the chaos coming.
Cast: Brad, Troy
For the entire month of March, the guys at Not A Bomb are throwing it back to their old Movie Matchup format, pitting notorious box office bombs against each other in a battle for redemption. Two flops enter… only one survives. There can only be one!
This week, Troy and Brad aren’t just stepping into the ring, they’re calling the fight of the century. It’s a bruising, bare‑knuckle, cinematic heavyweight showdown between two crime‑soaked epics: King of New York and Gangs of New York. Decades apart, stylistically worlds away, but both swinging for the fences with operatic violence, towering performances, and enough swagger to level a city block.
King of New York (1990)
Directed by Abel Ferrara and starring Christopher Walken, Laurence Fishburne, Wesley Snipes, David Caruso, Victor Argo, and Giancarlo Esposito, this neon‑drenched gangster fever dream follows drug lord Frank White as he storms back into New York’s underworld after a stint in prison. It’s stylish, chaotic, and packed with performances so intense they practically melt through the screen.
Gangs of New York (2002)
Directed by Martin Scorsese and starring Leonardo DiCaprio, Daniel Day‑Lewis, Cameron Diaz, Brendan Gleeson, Jim Broadbent, and John C. Reilly, this sprawling historical epic throws you into the blood‑soaked streets of 1860s Manhattan. Rival factions. Political corruption. Revenge quests. And at the center of it all, Daniel Day‑Lewis delivering one of the most terrifying, magnetic performances of his career as Bill the Butcher.
The Matchup
This isn’t just a comparison; it’s a clash of titans. Frank White vs. Bill the Butcher. Modern crime mythmaking vs. historical gangland opera. Ferrara’s gritty, punk‑rock filmmaking vs. Scorsese’s grand, blood‑stained spectacle. Troy and Brad break down which film lands the cleanest hits, which one stumbles, and which earns the coveted weekly crown. Expect fireworks, body blows, and enough cinematic carnage to fill Madison Square Garden.
We Want to Hear From You
Got a cinematic flop you want us to tackle? Drop us a line at NotABombPod@gmail.com or reach out through our contact page. Reviews on Apple Podcasts or Spotify help us grow and keep the chaos coming.
Cast: Brad, Troy